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Tutorial - Timing and Note Value Alteration
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Timing and Note Value Alteration - Example 6a

Advanced • Improvising • Any Style
Richard Lundmark 307 lessons
Tutorial

Timing and Note Value Alteration

Timing and Note Value Alteration - Introduction
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Timing and Note Value Alteration - Introduction Richard Lundmark
Timing and Note Value Alteration - Example 1a-b
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Timing and Note Value Alteration - Example 1a-b Richard Lundmark
Timing and Note Value Alteration - Example 2a-c
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Timing and Note Value Alteration - Example 2a-c Richard Lundmark
Timing and Note Value Alteration - Example 2d-e
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Timing and Note Value Alteration - Example 2d-e Richard Lundmark
Timing and Note Value Alteration - Example 3a-c
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Timing and Note Value Alteration - Example 3a-c Richard Lundmark
Timing and Note Value Alteration - Example 3d-e
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Timing and Note Value Alteration - Example 3d-e Richard Lundmark
Timing and Note Value Alteration - Example 4
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Timing and Note Value Alteration - Example 4 Richard Lundmark
Timing and Note Value Alteration - Part 5 Introduction
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Timing and Note Value Alteration - Part 5 Introduction Richard Lundmark
Timing and Note Value Alteration - Part 5 Tapping Intro
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Timing and Note Value Alteration - Part 5 Tapping Intro Richard Lundmark
Timing and Note Value Alteration - Example 5a-c
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Timing and Note Value Alteration - Example 5a-c Richard Lundmark
Timing and Note Value Alteration - Example 5d
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Timing and Note Value Alteration - Example 5d Richard Lundmark
Timing and Note Value Alteration - Example 5e-h
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Timing and Note Value Alteration - Example 5e-h Richard Lundmark
Timing and Note Value Alteration - Example 6a
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Timing and Note Value Alteration - Example 6a Richard Lundmark
Timing and Note Value Alteration - Example 6b
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Timing and Note Value Alteration - Example 6b Richard Lundmark

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Lesson Library

Here we are, the final section!

What I will do here is similar to what I did in example 4. I will take the rhythm from one idea, and superimpose that over everything I improvise. So to begin with, here is example 6a, where you can see the same idea as in examples 5, but with two different note values intermixed.

And then finally, in example 6b below, I use that rhythm and keep that throughout my entire tapping improvisation, using it through licks, figures, lines and ideas, regardless of their inherit note values.

So, now click next to get cracking on the final improvisation!

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