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Abusing The Blues
Chris Feener
Welcome back IGers! This month, I wanted to break down and analyze a few of my "go-to" licks within the blues scale. But before we do, let's expand our harmonic spectrum of the blues scale, to spice things up. First, let's play through the regular old blues scale with a #4. (As written in bar 1) Now, let's add some intervals: 2, #3, #7. This will give us a smoother, more chromatic tonality. We're basically combining the major, minor and blues scale into one. This scale will generally work over most blues progressions, so let's check out some cool licks implementing it.
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5 Lessons
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1
0:23
Lesson Abusing The Blues - Introduction
Welcome back IGers! This month, I wanted to break down and analyze a few of my "go-to" licks within the blues scale. But before we do, let's expand our harmonic spectrum of the blues scale, to spice things up...
Tab Guitar Pro
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2
0:49
Lesson · 1m Abusing The Blues - Lick 1
So this first lick is pretty "twisty" in that it highlights a fair portion of the first position A minor pentatonic scale while adding hints of the major third (C#) through out. This is a great mechanism for...
Tab Guitar Pro
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3
0:51
Lesson · 1m Abusing The Blues - Lick 2
In much the same descending motion, this lick makes use of the second and third position pentatonic scale. Again, be sure to keep an eye on the techniques involved and execute the lick as cleanly as possible.
Tab Guitar Pro
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4
0:43
Lesson · 1m Abusing The Blues - Lick 3
Lick 3 approaches the blues scale from an ascending perspective. With three notes per string, our intervals are spread up to six frets apart. The main "purpose" of this lick is to highlight the #4 (D#) in a...
Tab Guitar Pro
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5
0:53
Lesson · 1m Abusing The Blues - Lick 4
And last but not least, lick 4. This one is very "pentatonicy" in the sense that we see a ton of two-note-per-string-ness. Note the heavy use, again, of the major third interval (C#) on both the D and B...
Tab Guitar Pro