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Harmonic Minor Modes

Robert Mussatti

The Harmonic Minor scale is one of the 3 "traditional" minor scales that we use in music. The other 2 are the Aeolian mode (natural minor) and Melodic Minor. The other 2 "minor" scales that we use are the Phrygian and Dorian Modes The Harmonic Minor scale is basically the same as the Natural Minor Scale except that the Harmonic Minor Scale has one difference to it, and that it has a natural 7th (major 7th) as opposed to the Natural Minor Scale, which has a minor 7th. Classical composers would modify the natural minor scale by raising the 7th to strengthen the resolution within the song/progression. The interval between the minor 6th and Major 7th is an augmented 2nd, or a major 3rd when spelled enharmonically. The augmented 2nd between the minor 6th and the major 7th gives this a nice "Middle-Eastern" flavor to it and because it sounds so "classical" in a Baroque sense, this is favored by many heavy metal musicians as well. Natural Minor- 1-2-b3-4-5-b6-b7 Harmonic Minor- 1-2-b3-4-5-b6-7 Many modes are possible with the harmonic minor scale. However, many of the modes created within this scale aren't used as often as the ones generated by the major Scale, and the chords generated by these modes are not used as often. The modes of the Harmonic Minor scale are: Harmonic Minor Locrian nat.6 Ionian #5 Dorian #4 Phrygian Dominant Lydian #2 Diminished

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8 Lessons

  1. 1 1:21 Backing track · 1m Harmonic Minor Modes - Introduction The Harmonic Minor scale is one of the 3 "traditional" minor scales that we use in music. The other 2 are the Aeolian mode (natural minor) and Melodic Minor. The other 2 "minor" scales that we use are the...
  2. 2 2:02 Backing track · 2m Harmonic Minor Modes - Harmonic Minor The Harmonic Minor mode is usually used for soloing over minor chords. The character pitches of this mode are the minor 3rd, minor 6th and major 7th. |-------Octave------||---Extensions---|...
  3. 3 1:59 Backing track · 2m Harmonic Minor Modes - Locrian Natural 6 The Locrian Natural 6 has a very dark sound to it because of the minor 2nd, minor 3d and diminished 5th. Like the Locrian mode, with this mode you can usually use over a min7b5 chord. Another cool fact about...
  4. 4 0:28 Backing track Harmonic Minor Modes - Ionian #5 The Ionian #5 is different than many of the other modes because even though it has a major 3rd and major 7th, which makes it out to have a major tonality, it has that #5 in it, which is a dissonant tone, so...
  5. 5 1:41 Backing track · 2m Harmonic Minor Modes - Dorian #4 The Dorian #4 is a very useful scale because while it has the minor 3, augmented 4 and minor 7 notes in it, which are all "blues" notes, it also has the minor 3rd and minor 7th, which means this mode can be...
  6. 6 1:12 Backing track · 1m Harmonic Minor Modes - Phrygian-Dominant The Phrygian-Dominant scale is defined by the Major 3rd, minor 2nd, minor 6th and minor 7th. The minor 2nd will be heard as a b9 and the b6 as a #5 so any altered dominant chord that has these notes in them...
  7. 7 1:20 Backing track · 1m Harmonic Minor Modes - Lydian #2 The Lydian #2, like the Lydian and Ionian modes, have a major sound to them because of the major 3rd and major 7th. Because this mode has the augmented 2nd (same as the minor 3rd), this has a bluesy sound to...
  8. 8 1:29 Backing track · 1m Harmonic Minor Modes - Diminished This is the last mode of the harmonic minor scale, and because it has so many alterations (everything except the root is flatted) the use of this mode is somewhat limited, so the main chord this mode is used...

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