Scale Chord Voicings
Greetings Guitar slingers! In this tutorial we will look at the concept of Scale Chords. The main focus of this tutorial is not chord theory, scale theory, or any theory in general. Of course it always helps if you do have some theoretical knowledge when working with chord voicings. However, the object of this tutorial is to open your ears and mind to a different approach to creating voicings within a given key (or scale). Instead of playing the standard chords buildt on the 7 scale degrees, we will find a voicing that we like and then just treat all voicings as belonging to a scalar sound rather than as individual chords. The idea of viewing chords not as individual blocks, but rather as members of a scale, where any chord are just any given number of notes of the scale brought forward is not new. In fact, the first time I was presented to this train of thought was through the chord voicings of Holdsworth. You can of course, and (depending on your theoretical provess) should analyze the voicings contained herein, and your own as well. But, the main focus is as I said ear-related, not theoretical. So, grab your axe and head on to the first part!
6 Lessons
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1
0:53
Lesson · 1m Scale Chord Voicings - Introduction
Greetings Guitar slingers! In this tutorial we will look at the concept of Scale Chords. The main focus of this tutorial is not chord theory, scale theory, or any theory in general. Of course it always helps...
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2
6:03
Lesson · 6m Major Voicings - Part 1
To begin with, let’s review what a chord is. A chord is a group of notes derived from a given scale, put together in a cluster. For instance, let’s take the key of Emajor (as presented in the scale charts...
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3
4:30
Lesson · 5m Major Voicings - Part 2
OK, in this second part of major voicings, we’re looking at D major. Same idea; map out the scale across the fret board, and find a voicing you like. The difference here is that I have incorporated the open...
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4
4:53
Lesson · 5m Minor Voicings - Part 1
Time for Minor! In this part we’re looking at the E minor scale. Also, I have chosen other voicings. I found a voicing I really liked, and ran with that. As you will hear this leads to more “fusionesque”...
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5
5:50
Lesson · 6m Minor Voicings - Part 2 & Changing Scale Roots
So, here I’ve derived my voicings from the same E minor scale, but started out with an Esus4 voicing. I also touch upon another topic here, the topic of key change by altering root. Let’s say you play...
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6
7:25
Lesson · 7m Outlining Scales & Creating Outside Harmony
In this last part, I discuss outlining scales. What I mean by this is that just as a voicing or chord has a certain overall quality and texture, an entire scale has a quality of its own. That is, if you run...