This final example is the exact same sequence as in Part 5, but with a superimposed shuffle rhythm.
The idea is to try to keep that rhythm going whatever you do, or wherever you go on the fretboard. This will REALLY free up your improvisation, and your use of all these arpeggios in soloing. Once you've nailed this, check out my other tutorials on timing and note value alteration for a real challenge.
Keep it up, and I'll see you in a future tutorial!