The second part of the solo is very similar to the first part and together the two of them almost act as a call and response (minus the rest that would usually accrue between the two ideas in a call and response).
I start again with some simple melody notes into another pentatonic/blues style line.
The hard part is the phrasing that takes place, especially the bend off the 10th fret B string. I highly recommend working very hard on that bend because it will really add to your phrasing.
Try to match my phrasing exactly. Phrasing is more important than playing this line as fast as you can.