So let's throw together some of these arpeggios into a musical context.
We'll be highlighting a 6 1 5 4 progression in F. So, the chords are as follows: Dm, F, C, Bb
The progression then concludes with a D diminished run.
Now, let's take this progression and apply it to some arpeggios in the context of what we've been doing. Note that some of the arpeggios will be rooted on the A string instead of the E, but the positions as well as the stretches will be identical.